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An extremely in-depth talk with Jody Kay on
music, creative process,
the transitional era we are living through,
upgrading and transforming the changes
that were started in the 1960s,
healing, sound vibrations,
intentional living, consciousness, ancestral memory,
Approximate Time Stamps:
How I got here
Squaring the circle of being an open creative type while also advocating for your ethno-culture
Consciousness, different types of people
You are one in many, a microcosm of the larger order.
Community gives me context for individualistic artist pursuit
Would I have gone on livestreams if did music first? Artist’s mind
My musical inspirations. Codes in the music of classic rock era
Visual art influences, Archeofuturism.
Then back to mixing emotional and artistic themes, why I like rock music
Why I chose Led Zeppelin’s “Over The Hills and Far Away”
as the song Jody asked me to hilight as something important to me
Music shaping society
We can’t sell out because we are heretics.
Currently being on “other side of wormhole” from 1960s
Our own intention and role as bards.
Seeds of degeneracy in past? Changing now as alchemists.
Natural living movement in Germany last century,
healthier antecedent to the later hippie movement.
Race memory in music.
Freedom theme in that older rock music, sensing we’re not free.
Music as magic. Now we must wage cultural spells.
“Peace and love” is bad? Harmony of boundaries and openness.
Modern world works towards dis-harmony
Why did I decide to release songs once per month?
Jody plays my first release, “Someone To Know”
More about that song, why I chose it as my public introduction.
What it’s like to be open to public critique etc.
How I made the song, creative process in general
On my writing. Foundational essays, love
Some questions from chat—my favorite drummer, about lyrics of the song
Being yourself publicly is the best way to serve.
Self doubts about that kind of thing, doing all your interests together.
Not every creator being a news/political analyst